"There is an appreciation that this is a special place, and that appreciation comes largely from the fact that, unfortunately, other towns have sold out, and they're not special anymore," Nell said. "They've allowed developers to determine what their town is like and how it's arranged and how they live their lives."
Nell is judicious and gentle in his analysis of Waverly's peculiar philosphies.
Lifelong resident Jimmy Graves is not so much. But such is the diversity of Waverly. "The reason people want to move here is the reason we don't want them. They come here because it's like it is, and if they get here it won't be like it is. So we'd just as soon they stay in Auburn," said Graves, 75, an unabashedly crotchety timberman who owns hundreds of surrounding acres.
He has no plans to sell and offers up the fates of two friends who sold off large holdings. "One of them, he sold 850 acres for $8.5 million, and he lived 3 months. The other one signed up to sell his for $7.1 million, and he lived a week," Graves said. "See, selling land's bad. It'll kill you."
Glasscock, a bearded, blue-jeaned 62-year-old, has his own strategy to keep at bay any potential subdividers who may be snooping around. "I'll buy some old cars, put them on blocks, hang some old dead snakes on the trees, and let chickens run loose in the yard," he said. "And they'll go on by."
Freedom of the spirit
Glasscock personifies the amalgamation of characters in Waverly. An ex-Marine who served in Vietnam, he knits together a living by selling homegrown produce to local markets, playing blues guitar and working with wood. Waverly won over Glasscock, a Chilton County native, when he was a student at Auburn in the 1970s.
"For me the village atmosphere was really nice, and the old people here were so much like the old people I knew in Clanton. ... They all had gardens and I wanted to get out here and garden and everything," he said, sitting on the porch of his house, where an army of vines and branches fast approaches the front door.
"We got the Baptist church, they kinda' control the town, but then they don't. The old families are dying out, and the people who come out here are kind of alternative people anyway, regardless of how different they are.
They might be super right-wing survivalists, or they might be just so far to the left that they can't stand to be around yuppies."
If there are any real divisions in Waverly, and that's debatable, it would be between oldtimers, like Graves, and newcomers. But those categories are somewhat fluid, as you can live there 25 years and still be considered a newcomer by the oldtimers.
In a world divided by blue and red, War Eagle and Roll Tide, W the President and W with a big black slash through it, extreme personalities seem to peacefully coincide in Waverly, even though as small as the town is everyone really does know everyone else. There's a massage therapist, a poet who teaches in state prisons, and a conservative Christian octogenarian or two.
There's the youthfully irreverent Peek with his bouncy reggae music blaring through the print shop and his "What Would Johnny Cash Do?" bumper sticker.
And the gray-haired regulars who huddle around dominos and jigsaw puzzles at the senior center. There's Mary Stevens, who created a life after retirement as an artist, then helped found Studio 222, a group of female artists who meet to share techniques and encourage one another.
"The interesting thing that has happened is how the old town of Waverly interacts and coexists with the younger artistic community," said resident Kyes Stevens, 33, the poet and director of the Alabama Prison Arts and Education Project, based in Auburn.